Yağmur Özbasmacı Mermer

as Acting

Sehrazat is a hopeful medical student dreaming of a future with Ferhat, until he is wrongfully sentenced to death. Desperate to save him, she turns to the powerful and dangerous Buyukbey, unaware that every favor he grants comes with a heavy price. As family politics, unhappy marriages, and ruthless ambition intertwine, Sen Aglama Istanbul becomes a dramatic story of sacrifice, love, and irreversible choices.

as Sevilay Egemen

Feride escapes a dangerous past by changing her name to Gizem and building a new life with a loving husband. But when she learns that her family has been murdered and that the man she feared is still searching for her and her sister, her carefully hidden identity is threatened. As old secrets return, Gizem must protect both her future and the truth she buried years ago.

as Pelin

Yasemin clawed her way into law school while working to support herself in Germany, driven by a single, burning goal: to gain custody of her hearing‑impaired little brother Murat, who is growing up in an orphanage because they share different fathers and no one else will fight for him. Every penny she earns goes toward his cochlear implant surgery — a future where he can hear her voice say “I love you.” Cem is the elder son of a wealthy Istanbul family, a brilliant businessman who has walled off his heart after witnessing a childhood trauma that destroyed his parents’ marriage. When a violent incident at Cem’s company gala throws them together, two broken souls recognise each other across a crowded room. But the path to love is littered with dark family secrets, corporate ambition, and the prejudices of a world that sees Yasemin only for her past. “Leke” — the stain — asks whether love can ever truly wash away the marks that life has left on us, or whether some stains are worth wearing with pride.

as Dilek Akar

Yılmaz, a retired soldier haunted by the things he has seen, retreats to a deserted lighthouse on an island near Köyceğiz, believing he has chosen a life of solitude and silence. He has no expectations, no plans, and no desire for human connection — until he meets Elif, a woman whose joy is so irrepressible it feels like an assault. Against all odds, her warmth melts his frost, and the two marry, dreaming of a quiet life together. But Elif suffers miscarriage after miscarriage, each loss chipping away at the foundation of their marriage until hope becomes a cruel word. Then a miracle arrives: a newborn baby, abandoned, falls into their arms at the most unexpected moment. Elif sees a gift from God; Yılmaz sees a moral dilemma that his conscience cannot ignore. As Elif embraces the child as her own, Yılmaz wrestles with a guilt that will shadow them for years. “Bir Umut Yeter” — one hope is enough — is a profound drama about faith, the desperate longing for a child, and the messy intersection of love and ethics when a blessing arrives wrapped in a moral test.